The Animated Movie Guide by Jerry Beck

By Jerry Beck

Going past the box-office hits of Disney and Dreamworks, this consultant to each lively motion picture ever published within the usa covers greater than three hundred movies over the process approximately eighty years of movie historical past. recognized motion pictures such as discovering Nemo and Shrek are profiled and hundreds of thousands of alternative motion pictures, a lot of them not often mentioned, are analyzed, in comparison, and catalogued.

The beginning of the style and what it takes to make an excellent lively function are mentioned, and the impression of eastern animation, special effects, and stop-motion puppet options are introduced into point of view. each movie research comprises reports, four-star scores, historical past info, plot synopses, exact working occasions, shopper advice, and MPAA rankings. short courses to made-for-TV video clips, direct-to-video releases, overseas motion pictures that have been by no means theatrically published within the united states, and live-action movies with major animation around out the amount.

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J B ) Additional Cre d i t s : S c reenplay: Todd Alcott, Chris Weitz, Paul Weitz. Story: Randy Cartwright. Music: Harry GregsonWilliams, John Powell. Director of additional sequences: Laurence Guterman. Supervising animators: Rex Gridnon, Raman Huii. Directing animators: Denis Couchon, Sean Curran, Do nnachada Da l y. , Fred Nilsson, David Rader, Jason A. Reisin, David Spivack, Don Venhaus. A PDI (Pacific Data Images) Production. Arabian Knight (8/25/95) Miramax. 72 mins. Director: Richard Williams.

Voices: Phillip Glasser (Fievel Mousekowitz), Dom DeLuise (Tiger), Christopher Plummer (Henri), Nehemiah Persoff (Papa Mousekowitz), Gussie Mausheimer (Madeline Kahn), Amy Green (Tanya Mo u s e k owitz), John Finnegan (Warren T. Rat), Cathianne Bl o re (Bridget), Erica Yohn (Mama Mousekowitz), Neil Ross (Honest John), Will Ryan (Digit). Consumer Tips: ✰✰✰ MPAA Rating: G. Wi l l appeal mainly to children. Story: Young Russian immigrant Fievel Mousekowitz is separated from his family en route to America.

Both mov i e s (An American Tail and The Land Before Ti m e) we re successful enough to warrant sequels, but Bluth’s departure left Spielberg somew h a t in the lurch. Howe ver, by 1990, Spielberg had collaborated with other animators; he set up Tiny Toon Ad ve n t u re s with Warner Bros. Animation and Who Framed Roger Rabbit with the Richard Williams St u d i o. Production of An American Tail: Fi e vel Goes West led to the opening of a new animation production unit in London: a collaboration of Un i versal and Amblin named Amblimation.

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