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At low Q factor values, the EQ covers a wider frequency range. At high Q values, the effect of the EQ band is limited to a narrow frequency range. The Q value can significantly influence how audible your changes are—if you’re working with a narrow frequency band, you’ll generally need to cut or boost more drastically to notice the difference.
Gain Reduction meter: Shows the amount of limiting in real time. • Gain slider and field: Sets the amount of gain applied to the input signal. • Lookahead slider and field: Adjusts how far ahead in milliseconds the Limiter analyzes the audio signal. This enables it to react earlier to peak volumes by adjusting the amount of reduction. Note: Lookahead causes latency, but this has no perceptible effect when you use the Limiter as a mastering effect on prerecorded material. Set it to higher values if you want the limiting effect to occur before the maximum level is reached, thus creating a smoother transition.
All EQs are specialized filters that allow certain frequencies to pass through unchanged while raising (boosting) or lowering (cutting) the level of other frequencies. Some EQs can be used in a “broad-brush” fashion, to boost or cut a large range of frequencies. Other EQs, particularly parametric and multiband EQs, can be used for more precise control. The simplest types of EQs are single-band EQs, which include low cut and high cut, lowpass and highpass, shelving, and parametric EQs. Multiband EQs (such as the Channel EQ, Fat EQ, or Linear Phase EQ) combine several filters in one unit, enabling you to control a large part of the frequency spectrum.