Revue des langues romanes by Gérard Gouiran

By Gérard Gouiran

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Bréhier, Paris, Les Belles Lettres, 1964, p. 154. 18 Cf. Aspremont, éd. F. Suard, Paris, Champion, v. 8122 sq. 19 Cf. Marco Boni, « Note sull’Aquilon de Bavière (a proposito delle reminiscenze della Chanson d’Aspremont », Studia in honorem prof. M. de Riquer, Barcelona, Vallcorba, 1987, p. , « Reminiscenze della “Continuazione” franco-italiana della Chanson d’Aspremont nell’Aquilon de Bavière », Miscellanea di studi romanzi offerta a Giuliano Gasca Queirazza, Alessandria, Edizioni dell’Orso, 1988, p.

Ou sont les haulx instrumens, Les draps d’or, les robes de soye, 308 REVUE DES LANGUES ROMANES Les grans destriers, les parremens, Les jousteurs que veoir souloie, Les dames que dancer veoie Dès la nuit jusques au cler jour ? […] Ou sont les enchainemens, Que l’en portoit comme courroye, D’argent et d’or, leur sonnemens, Pour mieux prendre ces saulx en voie ? L’essil de corps, de la monnoie, Gast de viandes et d’atour, Perte d’esperit, grant Luour De torches, gastement de vin, Je ne voy que tristesce et plour Et obseques soir et matin.

B. Ribémont, Rennes, Presses Universitaires de Rennes, 2012, p. 159-175. 28 L’Entrée d’Espagne, éd. , v. 28-29. , v. 77. 30 Cf. Liber sancti Jacobi. Codex Calixtinus, éd. Klaus Herbers et Manuel Santos Noia, Santiago de Compostela, Xunta de Galicia, 1998, cap. I, p. 201. 31 L’Entrée d’Espagne, éd. , v. 50-54. 32 C’est ainsi qu’est le plus souvent considérée, en Italie, la Chronique de Turpin. Cf. Jean-Claude Vallecalle, « Turpin et sa Chronique dans l’épopée franco-italienne », et Leslie Zarker Morgan « La tradition turpinienne et l’Italie », Le Livre de saint Jacques et la tradition du Pseudo-Turpin.

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