Putting Things in Perspective (How to Draw Manga, Volume 29) by Hikaru Hayashi

By Hikaru Hayashi

Publication by way of K's paintings

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Additional resources for Putting Things in Perspective (How to Draw Manga, Volume 29)

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You are free to choose any interval. @ Determine the position of the third pole. 1/2 supplementary ® Determine positions of remaining poles. Guardrail structure Pole-to-rail ratio is about 1:1 Pole portion \ 54 @You get the right guardrail heig· in relation to the size of the character. ~\ . Composition -of a Picture Do not use perspective drawing indiscriminately when drawing long shots of buildings and upward and downward views, etc. Simple ideas can create large effects. A Drawing upward views Vertical two-point perspective When drawing an upward view, assume the location from the placement of buildings in a rough sketch.

Divide at 1/2 the height Supplementary line in direction of vanishing point. guardrail poles is uniform. You are free to choose any interval. @ Determine the position of the third pole. 1/2 supplementary ® Determine positions of remaining poles. Guardrail structure Pole-to-rail ratio is about 1:1 Pole portion \ 54 @You get the right guardrail heig· in relation to the size of the character. ~\ . Composition -of a Picture Do not use perspective drawing indiscriminately when drawing long shots of buildings and upward and downward views, etc.

L Draw line @ parallel to the slanted line on this side of the roof. ® point of intersection of lines ® and ®. ' '' ' ' ·' Draw line @ right along the center. ,' ' I ' ,, ,, , ' ,' '' ' ,~, ' ,' I' ' ' ' I r @ '' '' ' '' ® Line ® can be drawn only after the supplementary line ® has been drawn. 4. Making the roof thicker I Thickness lines are a right angles to the slanted lines. Judge the length wit your eyes. Completed roof ~ l=rJ 32 Draw shadows under the eaves. · u can draw these kinds of roofs with this technique.

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