By Barbara Kramer
Nampeyo, the recognized Hopi-Tewa potter (ca. 1860B1942), is recognized for the grace and sweetness of her paintings, yet little or no exact info has been to be had approximately her existence. Romantic myths, cultural misunderstandings, and outright distortions have obscured either Nampeyo the artist and the individual. in line with an exhaustive seek of first individual debts, photographic facts, and interviews with descendants, Kramer offers the one trustworthy biography of the artist. via the flip of the century, Nampeyo had revitalized Hopi pottery through making a modern variety encouraged via prehistoric ceramics. army males, missionaries, anthropologists, photographers, artists, and travelers all gathered her unsigned paintings. This biography contributes to an knowing of alterations at the Hopi reservation effected by way of outsiders in the course of Nampeyo's existence and the advanced reaction of yank society to local americans and their paintings. Kramer additionally offers the 1st stylistic research of vessels made by means of Nampeyo.
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Additional resources for Nampeyo and Her Pottery
Tying the pottery jug on her back with a shawl that was then secured around her forehead, the woman made her way down the trail to the spring to wait her turn among her neighbors. Greetings would be exchanged"lo-la-mi! lo-la-mi! 9and gossip shared. Shifting the filled jug to her back and bending to support the increased weight, she would trudge slowly, barefoot, back up the narrow trail, stopping occasionally to rest and to let others pass. This daily ritual, passed on from White Corn's mother to White Corn and then to Nampeyo, gradually produced a strange gait, a sort of waddle in which their stocky bodies leaned forward as if into the wind.
Senator from New Mexico, obtained copies of federal documents for my reference. The Historical Department of the Church of Jesus Christ of Latter-day Saints and the American Baptist Historical Society shared with me or referred me to information contained in the text. For my husband, James, I express my deepest gratitude. He shared, encouraged, and joined in the search for vessels and for information. His rapport with the old lady's spirit and with her extended family is as deep as mine. Very personal appreciation is extended to Larry Goodwin and my daughter Joan Kramer Busick, and to my daughter Susan Kramer Erickson and her husband, David, for advice and continued encouragement.
Working under Spencer F. Baird, secretary of the Smithsonian, who believed that collections of material culture were essential, Powell focused on the Southwest, where ancient cultures remained relatively unchanged by outsiders. They reasoned that native people were soon to become ex- Page 29 tinct, so an immediate collection of artifacts should be made for future anthropological study.