Fabric Surface Design Painting, Stamping, Rubbing, by Cheryl Rezendes

By Cheryl Rezendes

Sensational stitching initiatives call for fantastic materials! Fiber artist Cheryl Rezendes indicates you the way to create an remarkable array of floor designs, easily and competently, utilizing fabric paints and printing ink. She covers a wide selection of ideas: stamping, historic jap Shibori, silkscreen, soy wax and flour face up to, photograph move, marbling, nature printing, foils and steel leaf, and extra. step by step pictures illustrate each approach, and Rezendes indicates you tons of cutting edge how one can mix and layer suggestions for beautiful effects.

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Extra resources for Fabric Surface Design Painting, Stamping, Rubbing, Stenciling, Silk Screening, Resists, Image Transfer, Marbling, Crayons & Colored Pencils, Batik, Nature Prints, Monotype Printing

Sample text

Cut or tear your fabric to measure about 1" narrower all around than the frame opening. step 2. Starting at the corner closest to you, place the sharp pins of the gripper into the edge of the fabric, then insert the peg of the gripper into the closest hole. ) step 3. Turn the corner and insert another gripper in the same way. step 4 step 4. Continue in this fashion down the side of the frame, spacing the grippers about 4" apart. step 5. Continue on around the frame in this manner until all four sides are pinned to the frame.

Your goal is to spread the paint evenly on the brayer, not to spread the paint over the Plexiglas. step 3. Roll the paint-laden brayer over the fabric. Avoid landing the brayer too suddenly on the fabric; this results in a sharp line where you make contact. For a softer look, use some finesse and go at the fabric with a smooth motion, striving to apply the paint gradually and evenly throughout. ” If you have a tendency to load on too much paint, roll out the brayer on another piece of fabric first.

A muslin drop cloth over the plastic and under the fabric you are working on will help to absorb some of the moisture and prevent the plastic from leaving a texture. It also becomes a bonus itself: you’ll have a piece of painted fabric to work with on a future project or collage! Designing with Original Fabric The cotton duck I used for this vest was actually a windfall: it was a piece I originally used under a piece of silk chiffon laid directly on my worktable, unstretched, while I painted it with thin textile paints using a foam brush.

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