Digital Audio Restoration by Simon Godsill and Peter Rayner

By Simon Godsill and Peter Rayner

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1 0 . 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 20 30 40 50 60 70 Time (units of 2048 samples) Figure 20: Frequency tracks generated for example `Viola'. of all the musical notes which are playing. Since this is certainly not the case for most non-musical signals, we might expect the method to fail for, say, speech extracts or acoustical noises.

2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 0 . 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 20 30 40 50 60 70 Time (units of 2048 samples) Figure 20: Frequency tracks generated for example `Viola'. of all the musical notes which are playing. Since this is certainly not the case for most non-musical signals, we might expect the method to fail for, say, speech extracts or acoustical noises.

4 . . . . . . 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 0 . 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 20 30 40 50 60 70 Time (units of 2048 samples) Figure 20: Frequency tracks generated for example `Viola'. of all the musical notes which are playing.

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