Creepy Archives - Volume 1 (reprints v1 1-5) by Archie Goodwin, Joe Orlando, Otto Binder, Russ Jones

By Archie Goodwin, Joe Orlando, Otto Binder, Russ Jones

Assemble up your wood stakes, your blood-covered hatchets, and all of the skeletons within the darkest depths of your closet, and get ready for a scary event into the darkest corners of comics historical past. darkish Horse Comics additional corners the marketplace on top of the range horror storytelling with probably the most expected releases of the last decade, a hardcover archive number of mythical Creepy Magazine.

This groundbreaking fabric grew to become the area of photo storytelling on its head within the early Sixties, as exceptional younger artists like Bernie Wrightson and Neal Adams reached new creative heights with their attention-grabbing explorations of vintage and glossy horror stories.

*Brilliant, vintage Creepy tales from 1964-1966 raised from the lifeless after twenty-five years.

*Featuring paintings via such comics luminaries as Joe Orlando, Al Williamson, Alex Toth, and Frank Frazetta.

* Archive variations of Creepy would be the cornerstone of any comic-book library.

*Volume One reprints the 1st 5 terrifying problems with the magazine's unique run!

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Refer to head-drawing books for more details on capturing age. Adding Color Remember, color should make a good drawing look great. Coloring a bad drawing won’t make it good. Practice drawing before you take up coloring. STEP 1: Draw the Structure Start with drawing the jawline. Remember to keep the length of the jaw in proportion to the subject. STEP 2: Draw the Hair Describe the hair texture, color and length with each stroke. Draw line 1 of the hair, followed by line 2. Add decorative strokes after these two lines are done.

Eyelashes make the eyes look feminine, so skip them on men. Add Part of the Nose for Help If you have problems placing the eyes in the three-quarters view face, you may want to add the shaft of the nose first. Adding the shaft will break up the negative space of the face and create spots for the eyes to fit into. The shaft may even cover part of the far eye. Creating a Three-Quarters View Nose In the three-quarters view, you typically see only one nostril of the nose. Make sure the nose is angled enough to show this in your drawing.

Finish one section and move onto the next. This improves your speed tremendously. STEP 6: Add the Neck There should be no floating heads, so add a neck and a collar. Be sure to sign and date your work. Know the Process Practice by inventing ten heads a day. Focus on getting the process down: jaw, hair, eyes, nose, mouth, neck and signature. Try to do this in three minutes. Now is a good time to work on your speed. Distance, Anchor and Pivot Points What should you look for when drawing each feature?

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