Chi's Sweet Home, Volume 3 by Konami Kanata

By Konami Kanata

"Kitten-rearing is whatever, yet elevating a street-smart pussycat in a development with a strict no-pets coverage is one other tale altogether. whilst mentoring a curious kitty, tactful tabbies needs to train with endurance and an organization paw. take note, cats are a different breed. whereas we will continue to exist good sufficient on intuition, those self same pussycat responses may end up in undesirable realization. This long-whiskered one recommends spending plenty of time along with your little furballs, for they're going to instinctively search for mischief until completely entertained"--P. [4] of canopy.

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Additional resources for Chi's Sweet Home, Volume 3

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J B ) Additional Cre d i t s : S c reenplay: Todd Alcott, Chris Weitz, Paul Weitz. Story: Randy Cartwright. Music: Harry GregsonWilliams, John Powell. Director of additional sequences: Laurence Guterman. Supervising animators: Rex Gridnon, Raman Huii. Directing animators: Denis Couchon, Sean Curran, Do nnachada Da l y. , Fred Nilsson, David Rader, Jason A. Reisin, David Spivack, Don Venhaus. A PDI (Pacific Data Images) Production. Arabian Knight (8/25/95) Miramax. 72 mins. Director: Richard Williams.

Voices: Phillip Glasser (Fievel Mousekowitz), Dom DeLuise (Tiger), Christopher Plummer (Henri), Nehemiah Persoff (Papa Mousekowitz), Gussie Mausheimer (Madeline Kahn), Amy Green (Tanya Mo u s e k owitz), John Finnegan (Warren T. Rat), Cathianne Bl o re (Bridget), Erica Yohn (Mama Mousekowitz), Neil Ross (Honest John), Will Ryan (Digit). Consumer Tips: ✰✰✰ MPAA Rating: G. Wi l l appeal mainly to children. Story: Young Russian immigrant Fievel Mousekowitz is separated from his family en route to America.

Both mov i e s (An American Tail and The Land Before Ti m e) we re successful enough to warrant sequels, but Bluth’s departure left Spielberg somew h a t in the lurch. Howe ver, by 1990, Spielberg had collaborated with other animators; he set up Tiny Toon Ad ve n t u re s with Warner Bros. Animation and Who Framed Roger Rabbit with the Richard Williams St u d i o. Production of An American Tail: Fi e vel Goes West led to the opening of a new animation production unit in London: a collaboration of Un i versal and Amblin named Amblimation.

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