Captain Underpants and the Big, Bad Battle of the Bionic by Dav Pilkey

By Dav Pilkey

Simply after they proposal they have been out, it pulls them again in! Our heroes beat the Bionic Booger Boy yet they forgot approximately these rascally Robo-Boogers. sign up for George, Harold, Mr Krupp, Melvin Sneedly and Sulu the Bionic Hamster on an experience that might take them into the inner most areas of outer house and again via time to the mysterious and uncharted global of the day sooner than the day past.

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Additional resources for Captain Underpants and the Big, Bad Battle of the Bionic Booger Boy, Part 2 (Captain Underpants, Book 7)

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J B ) Additional Cre d i t s : S c reenplay: Todd Alcott, Chris Weitz, Paul Weitz. Story: Randy Cartwright. Music: Harry GregsonWilliams, John Powell. Director of additional sequences: Laurence Guterman. Supervising animators: Rex Gridnon, Raman Huii. Directing animators: Denis Couchon, Sean Curran, Do nnachada Da l y. , Fred Nilsson, David Rader, Jason A. Reisin, David Spivack, Don Venhaus. A PDI (Pacific Data Images) Production. Arabian Knight (8/25/95) Miramax. 72 mins. Director: Richard Williams.

Voices: Phillip Glasser (Fievel Mousekowitz), Dom DeLuise (Tiger), Christopher Plummer (Henri), Nehemiah Persoff (Papa Mousekowitz), Gussie Mausheimer (Madeline Kahn), Amy Green (Tanya Mo u s e k owitz), John Finnegan (Warren T. Rat), Cathianne Bl o re (Bridget), Erica Yohn (Mama Mousekowitz), Neil Ross (Honest John), Will Ryan (Digit). Consumer Tips: ✰✰✰ MPAA Rating: G. Wi l l appeal mainly to children. Story: Young Russian immigrant Fievel Mousekowitz is separated from his family en route to America.

Both mov i e s (An American Tail and The Land Before Ti m e) we re successful enough to warrant sequels, but Bluth’s departure left Spielberg somew h a t in the lurch. Howe ver, by 1990, Spielberg had collaborated with other animators; he set up Tiny Toon Ad ve n t u re s with Warner Bros. Animation and Who Framed Roger Rabbit with the Richard Williams St u d i o. Production of An American Tail: Fi e vel Goes West led to the opening of a new animation production unit in London: a collaboration of Un i versal and Amblin named Amblimation.

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