Beginner's Guide to Bobbin Lace by Gilian Dye

By Gilian Dye

To the uninitiated, a lace pillow manage with dozens of bobbins appears very complex, but this guide exhibits the simplicity of the elemental strikes: in simple terms 4 bobbins are in use at anyone time, and there are just moves—twist and move. concentrating on Torchon lacemaking techniques—Bruges and Chantilly lace are different recognized traditions—these classes commence with small lace bookmarks labored in various designs earlier than progressing to full-scale projects: a handbag, a bag, a cushion, and two scarves. All are awarded with step by step directions, close-up photos, and a entire set of pricking styles. extra material covers strategies for adding beads and tassels and working with such unconventional fabrics as wire, cable, and thick wool yarn.

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2. Medicine and art. I. Berg, Geri, 1946. II. Avery, Eric. III. Series: Report of the Institute on Human Values in Medicine; nr. 16. IV. Series: Medical humanities series. [DNLM: 1. Education, Medical. 2. Medicine in art. W1 RE209CQ no. 7 82-19217 ISBN 0-8093-1038-4 86 85 84 83 4 3 2 1 Page vi Contents Illustrations vii Foreword ix Preface xiii Acknowledgments xxi 1. Medical Education: In Transition? 3 Bernice Wenzel 2. Hands Healing: A Photographic Essay 10 Eric Avery 3. D. 26 John Cody 4. The Visual Arts in Health Professional Education: Another Way of Seeing 45 Geri Berg 5.

The dialogue group also talked about both art and medicine as processes. On this subject we seemed to have found common and often significantly related ground between the two disciplines. Discussions included topics such as visualization theory and brain lateralization concepts, the process and purpose of observation, the nature and function of perception, critical inquiry, empathy, imagination and emotionality, and objective and subjective components of problem solving in both fields. The articles by Charles Rusch and E.

Then I structured a photographic activity to examine both spaces as they related to the elderly in New York City. These divisions of space and the structuring of an investigative photographic activity are intimately connected with not only how the photographs shown here were made, but also how they were edited. As this photographic work with the elderly in New York City was underway, I was attending the Visual Arts and Medicine Dialogue meetings. As we were preparing for our last meeting and discussing plans for this book, I was invited by E.

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