By Oliver Seibt
Vom täglichen Er- und Überleben auf Hängen und Pisten, in der Küche und am Tresen, von Männern und Frauen, Lehrern und Schüler(inne)n in Bildern, die das Leben in gelb und anderen Farben in den Schnee schrieb. (Never consume yellow snow....!)
Seit vielen Jahren fahren sie gemeinsam Ski. OS zeichnet das Leben drum herum und hat darüber mit UC und anderen viele Abende verbracht. Alle endeten mit vom Lachen schmerzenden Bäuchen...
Wer Ähnlichkeiten findet, darf sie behalten.
Möge der Powder mit Euch sein. (Die einzigen weißen Kristalle, die excessive machen, ohne den Beipackzettel lesen zu müssen.)
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Additional info for Alpenglühen: Überleben im Alpenraum auch für Zugelaufene
Despite being a newlywed man with a full-time and a parttime job, Watterson was quite proliﬁc during this period. Though West couldn’t remember all of the many side projects Watterson undertook, he implied that Watterson generated a fair amount of miscellany during that time. The diverse nature of the projects Watterson participated in allowed him to ﬂex his creative muscles and hone his cartooning skills. Two projects West does recall are a T-shirt Watterson designed for an environmental event in suburban Cleveland and a 1982 calendar, Judy Ernest’s Single-handed Survival Calendar.
Things were already looking up for him in that department. His ﬁnal year at Chagrin Falls High, he submitted an editorial cartoon to the local Sun Herald newspaper, which, much to his astonishment and delight, they published. Not only that, but the editors liked the work so much that they encouraged Watterson to continue submitting cartoons, an unprecedented accomplishment for a high-school student. In that spring of 1976, Watterson drew a lighthearted cartoon for his fellow seniors to immortalize their upcoming graduation.
Looking back on these [strips] is really embarrassing. ” He also tried developing another strip called Critters, which centered on small bug-like creatures, as well as another about a young person’s ﬁrst job and apartment. These, too, were ﬂops with the syndicates. Years later, Watterson published a single panel from Critters in one of his collections, but none of these other early strips ever made their way into the public domain. Though this deluge of rejection may have deterred meeker souls, Watterson kept plugging away.