By Clive Brown
Considering his dying in 1847, Felix Mendelssohn's track and character were either favorite and denigrated to notable levels. during this examine Clive Brown weaves jointly a wealthy array of records - letters, diaries, memoirs, stories, information stories and extra - with the purpose of featuring a balanced photograph of the composer and his paintings. Rejecting the got view of Mendelssohn as a facile, light-weight musician, Brown demonstrates that he used to be actually an cutting edge and hugely cerebral composer who exerted a robust effect on musical concept into the 20 th century. Brown discusses Mendelssohn's relations heritage and schooling; the position of faith and race in his lifestyles and acceptance; his reports as useful musician (pianist, organist, string participant, conductor) and as instructor and composer; the serious reception of his works; and the vicissitudes of his posthumous acceptance. The textual content additionally incorporates a diversity of hitherto unpublished sketches made through Mendelssohn. the result's a portrayal of the guy and his achievements as considered via his personal phrases and people of his contemporaries.
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Extra info for A Portrait of Mendelssohn
For information on his family’s relationship with FMB, see section 18. Biographical Notes ⅐ xxxiii one ⅐ The Man 1 ⅐ Appearance and Manner In the opinion of most of Mendelssohn’s contemporaries, none of his portraits succeeded in conveying the mercurial qualities that so frequently made his features fascinating and arresting. The impression he made on observers was strongly conditioned by his relationship to the observer and by his state of mind. ”3 The inadequacy of all Mendelssohn’s portraits was insisted upon by his English friend, the journalist Henry Fothergill Chorley, who remarked: “Nature had gifted her favourite with one of the brightest and most expressive countenances ever bestowed on Genius.
Lobe, Johann Christian (1797–1881). German composer, writer on music and flautist. He was among the Weimar court musicians who accompanied FMB in chamber music at Goethe’s house in 1821. He later had a cordial relationship with FMB. His earliest surviving correspondence with FMB dates from 1838. In 1846 he moved to Leipzig to become editor of the Allgemeine musikalische Zeitung. Macfarren, (Sir) George Alexander (1813–1887). English composer, writer on music and teacher. He made FMB’s acquaintance in 1840 and in that year began an extensive correspondence, much of it concerning the edition of Israel in Egypt FMB was to make for the London Handel Society, of which Macfarren was secretary.
At his recommendation she went to Paris in 1847 to study with Jenny Lind’s former teacher, Manuel Garcia. After her marriage in 1849 she gave up the idea of a singing career and turned to writing. Her Erinnerungen an Felix Mendelssohn Bartholdy has often been criticized as fanciful, and it must indeed be used with care. It contains valuable firsthand memories, however, and also plausible recollections contributed by other of FMB’s friends, especially in Du¨sseldorf. Rellstab, Ludwig (1799–1860).