By Kara DioGuardi
Through the years, award-winning hitmaker, savvy list executive, profitable tune writer and previous American Idol judge Kara DioGuardi has labored with the best. Her songs were recorded by way of such superstars as purple, Carrie Underwood, Britney Spears, Christina Aguilera, Kelly Clarkson, Gwen Stefani, Santana, Steven Tyler, Celine Dion etc. yet luck wouldn’t have occurred for this songwriter, artist and manufacturer with no the darker instances of defeat. Now, during this daringly sincere memoir, DioGuardi unearths every little thing she’s discovered approximately residing, growing, loving, stumbling, picking out herself up back and finally succeeding. And, in fact, she hares behind-the-scenes tales from her years on American Idol, together with the true fact approximately her departure from the show. Passionate, huge and humorous, A Helluva excessive notice inspires readers to discover, advance and persist with their very own real voice.
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Extra info for A Helluva High Note: Surviving Life, Love, and American Idol
I think, we felt safer being vulnerable around each other, and safety was something it seemed like we both craved in the studio because it’s one of the places where we really let go. Once we knew where the other was coming from, we could move past the issues left over from before. In my opinion, women can be their own worst enemies. We constantly throw each other under the bus. I am guilty of it sometimes as well, but I am committed to stopping. If you have a problem with another woman, tell her.
Now, of course, I can acknowledge that in many ways, my father’s insistence actually prepared me for the most stressful, on-the-spot gig ever—Idol! But back then, I had simply resolved never to be a singer, ever. I ceased loving music, and sadly enough, I ceased dreaming about a career in it, too. I remember looking in the bathroom mirror and asking God to take my voice away. Thankfully, God doesn’t answer all of our prayers. At around age nine or ten, I made the transition from wanting to be a singer to being a totally obsessed consumer of pop music.
They decided to reroute some of the contestants from San Francisco to Los Angeles for the preliminary auditions (the ones prior to the auditions America sees on television). This gave me a chance to judge contestants in person alongside two of the producers. That’s when I first met Adam Lambert. He had a great voice, but was doing this very dramatic thing with his eyes. The producers weren’t sure about him, speculating that Cowell might not like him, but I said, “ No way. We’ve got to put him through,” and thank God we did.